Hasselblad launches H4D and True Focus AF

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Press release:

Hasselblad launches new H4D high-end DSLR, featuring revolutionary True Focus functionality.

5/09/2009 With the release of the new H4D-60, the first H4D camera and most recent addition to the Hasselblad H System, Hasselblad marks the beginning of a new chapter in the history of medium format DSLRs. The H4D-60 will feature True Focus with APL (Absolute Position Lock), making auto-focus substantially easier and more accurate for photography professionals.

As part of the celebration honoring the first manned lunar landing and the first lunar photography, camera manufacturer Hasselblad is announcing another first, the launch of the H4D camera series. The first model in the new series is the H4D-60, featuring a 60 Megapixel medium format sensor.

“We are thrilled to be able to announce the introduction of the H4D,” says Christian Poulsen, CEO of Hasselblad. “This step represents the natural evolution of our H System and of our photographic strategy in general. As part of our efforts to inspire 35mm photographers to step up to the quality found in high-end DSLRs, the H4D series is built upon the successful H3D platform and features our revolutionary True Focus technology. The H4D also comes bundled with our new Phocus 2.0 imaging software.”

True Focus and Absolute Position Lock

“True Focus helps solve one of the most lingering challenges that faces serious photographers today,” he continues, “true, accurate focusing throughout the image field. Without multi-point auto-focus a typical auto-focus camera can only correctly measure focus on a subject that is in the center of the image. When a photographer wants to focus on a subject outside the center area, they have to lock focus on the subject and then re-compose the image. In short distances especially, this re-composing causes focus error, as the plane of focus sharpness follows the camera’s movement, perpendicular to the axis of the lens.”

The traditional solution for most DSLRs has been to equip the camera with a multi-point AF sensor. These sensors allow the photographer to fix an off-center focus point on an off-center subject, which is then focused correctly. Such multi-point AF solutions are often tedious and inflexible to work with, however, and do not really solve the problem, claims Poulsen.

“Photographers have grown accustomed to using auto-focus systems in their day to day work and we see increasingly higher numbers of focus points advertised in each new wave of AF products. The term ‘multi-point auto-focus’ is a bit misleading, however, for cameras with sensors larger than APS,” claims Poulsen. “Due to the physics of an SLR-camera, the off-center focus points that are offered are all clustered relatively close to the center of the image. To set focus outside of this center area, the photographer is still forced to focus first, and then shift the camera to reframe, with the resulting loss of focus as a result.

To overcome this problem, Hasselblad has used modern yaw rate sensor technology to measure angular velocity in an innovative way. The result is the new Absolute Position Lock (APL) processor, which forms the foundation of Hasselblad’s True Focus feature. The APL processor accurately logs camera movement during any re-composing, then uses these exact measurements to calculate the necessary focus adjustment, and issues the proper commands to the lens’s focus motor so it can compensate. The APL processor computes the advanced positional algorithms and carries out the required focus corrections at such rapid speed that no shutter lag occurs. The H4D’s firmware then further perfects the focus using the precise data retrieval system found on all HC/HCD lenses.

“This technology takes AF to an entirely new level, correcting for the vertical and horizontal focus-shift that results from the rotation of the camera around an axis close to camera,” says Poulsen, “In simple terms, True Focus allows the photographer to concentrate on their composition, to focus on their creativity, while True Focus takes care of the other, more mechanical focus.”

True Focus on the H4D can be set to work at a half press of the camera release button, or via any user button programmed to AF-drive when the camera is in manual focus mode. This, the first release of True Focus, only corrects the horizontal and vertical positioning of the camera, and does not correct for any focus-shift which results from larger lateral movements of the camera during recomposing. The True Focus technology and APL (both patent pending) mark a significant milestone for Hasselblad’s high-end DSLR strategy and represent the result of many years of development work.

Faster Software, Shorter Learning Curve

The new user interface in Phocus 2.0 drastically reduces the learning curve for high-end imaging. The average photographer will be up to speed in less than 15 minutes, claims Hasselblad CEO Christian Poulsen. Functionality has not been lowered, however, with Phocus 2.0 matching or bettering the speed, functions, and usability found in Lightroom, Aperture, and Capture One.

“We’ve increased speed, increased functionality, and dramatically increased the speed at which photographers can learn to use this advanced software,” says Poulsen. “In less than 5 minutes an amateur photographer can learn to work with our images. In less than 10 minutes, learn how to setup for production of high-res files for Photoshop. In less than 20 minutes learn how to shoot tethered as a professional studio photographer. The new version of Phocus is just another step in our efforts to make complex functionality simple to use, allowing photographers to focus on their shooting.”

This philosophy lies behind a range of the features found in the H4D, including Hasselblad Natural Color Solution (HNCS), which achieves consistent color reproduction using a single color profile, and digital lens correction (DAC) which perfects each image captured through the HC/HCD lenses, by removing any trace of distortion, vignetting or chromatic aberrations. It was also the key motivation for what will surely be the most attractive feature in the new H4D, Hasselblad True Focus, explains Poulsen.

The Hasselblad H4D-60 will be available for delivery in January 2010 at a price of 28,995 €.

The Hasselblad H4D-50 will replace the H3DII-50. Delivery of the H4D-50 will begin in Q1, 2010 at a price of 19,995 €. H3DII-50 cameras purchased between now and Q1, 2010 will be upgraded to the H4D-50 free of charge. A program is also being announced for owners of H3D-31 and H3D-39 cameras to step up onto the H4D platform.

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ForeverSave

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Have you ever lost hours of work after a program or your Mac unexpectedly quit? Ever wanted an autosave program for all your applications? Finally ForeverSave heard your prayers and offers an application to your rescue. For only $ 9.95 you can now protect yourself against accidents by installing ForeverSave, an autosave application for all your programs (Snow Leopard compatible):

ForeverSave

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PocketWizard TT5 foot broke

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The flash foot on one of my TT5’s broke the other day, in the middle of a photo shoot, when a VAL (voice-activated lightstand) tried to handhold a small softbox mounted on my Canon 580EXII on the top of a Manfrotto nano stand, and pushed the softbox a little too hard against the ceiling. Not very forcefully, but everything came tumbling down. Luckily my VAL managed to catch the flash and PW in the fall.

I delivered the broken PW to my dealer yesterday, he said they had already received a couple other units with broken feet for service. So it seems like this is the units weak spot. According to my dealer, PW are still saying they would rather have the foot break than the flash or camera, but it seems to me like they could make the foot itself in metal, and still manage to have a built-in breaking point in the stem itself, which would handle a bit of handling better but still give in when heavy force is applied. As it is, it seems like the TT5’s are a bit too weak.

Other than that I have to say I’m in an absolute love-affair with this new PocketWizard system – I’ve had none of the trouble others have described, my units have performed flawlessly apart form this little accident.

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“Frankencamera” – open-source camera could revolutionize photography

This is a very interesting read – sounds like science fiction of course, and will probably never catch on with any of the big names like Canon and Nikon. At least if you take into consideration how little following the DNG raw file standard has achieved – but one can always hope, as open source software really opens up a whole new range of possibilities as pointed out in the article:

Open-source camera could revolutionize photography

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Unlimited online backup from Backblaze

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Have you ever worried what will happen to your photo archive if your house burns down?

If you have, then you have probably either set up a very complex and expensive backup system – or you found out just how complex and expensive it was going to be, and gave up (like most other photographers I know). Now there’s no longer any need to give up. BackBlaze is a new online backup-service which takes most of the pain and expense away from backing up your photo archive.

BackBlaze resembles such other off-site backup solutions like CrashPlan or Chronosync/ChronoAgent, but eliminates the need for extra hardware at the off-site location. Rather than being just software, BackBlaze is a complete service where the storage on the receiving end is included in the monthly fee. Other companies like Mozy has offered similar services, but at prices which made them unsuitable for photographers with huge backup needs. Whats unique about BackBlaze is that they truly cater for people with massive storage needs, as they offer both unlimited storage AND offers to send you all your data on a hard drive in the event of a major failure or accident. The last thing is important, as it could otherwise take weeks to download a huge photo archive.

This service couldn’t have appeared at a better time for me, as my oldest Mac Mini that I used on the offsite location just broke down. I would normally either have to repair it, or buy a new one. But beacuse of BackBlaze, I won’t. I will rather just pay the $5 a month, save all the money for the remote server and stop buying ever more hard disks for the remote location.

The only thing I worry about is that so many photographers will start taking advantage of the unlimited capacity that they will end it soon. But until then, enjoy your (almost) free lunch!

(Available for both Mac and Windows)

From Online Backup from Backblaze

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Google Plans Micropayments To Save Newspapers (InformationWeek)

Some interesting news: Google is developing a micropayment scheme to allow users to buy digital content through its Checkout online payment system.

The Google project was disclosed in Google’s response to a June solicitation from the the Newspaper Association of America (NAA) to come up with ways to help online publishers monetize digital content more effectively.

From Google Plans Micropayments To Save Newspapers — InformationWeek

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Canon 1D mkIV launch on the 29th of September?

Rumours has it that the Canon 1D mkIV will be launched on the 29th of September. No more details available at the moment.

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Creative Light Softbox Speedring for Portable Speedlights

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B&H Photo are now accepting orders for the Creative Light Softbox Speedring for Portable Speedlights. It is available for $ 88.50. Info is sparse, but I quote from the B&H online webshop:

If you want to mount a softbox on your Canon or Nikon portable speedlight, this Softbox Speedring from Creative Light will make it happen. The speedring comes with a solid aluminum softbox collar, which mounts to your light. The speedring rotates 360° for maximum flexibility and control. The rods, speedring and softbox are color coded, just to keep it simple.

• Speedring rotates 360° for increased control

• Color-coded softbox rods make assembly easy

The part numbers are Mfr# 100831 – B&H# CRSRSMF – and the direct link is here:

B&H Photo

This solution looks infinitely more robust and stable than the current offerings from Chimera and Photoflex. I haven’t yet managed to get my hands on one of them – but promise to post a review when I do.

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Leica M9 and Leica X1 pictures leaked (Leica Rumors)

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Lots of rumours concerning an upcoming announcement from Leica on the 9th of September:

“The Leica X1 is real (not sure about the Leica M9 picture). Here are some of the specs (they were part of the picture comments on flickr, but are now all gone):

  • 12 mp APSC CEMOS sensor
  • Leica Elmarit 24mm f/2.8 ASPH lens (equivalent to 35mm)
  • Manual exposure operations (shutter dial/aperture dial Autofocus Built-in flash (this is the circle cover on top right)
  • Bundled with Adobe Lightroom
  • Made in Germany

Here are the Leica M9 specs:

  • Full frame CCD 24×36mm 18.2 mp sensor
  • Improved image noise performance at high ISO settings
  • Improved operation reactivity
  • SD card slot
  • Bundled with Adobe Lightroom

Regarding availability: the rumor is that the Leica M9 will be available for sale next week and the Leica X1 will be in stores in few months.”

Another rumour on the site indicates that Canon may have supplied the sensor for the new full-frame M9. I find this highly unlikely though, to my knowledge Canon has never supplied sensors to other manufacurers before. But you never know…

UPDATE:

I can now confirm that Leica is indeed planning a worldwide launch which will be broadcast from New York to select dealers around the world on the 9th of September.

From Breaking news: Leica M9 and Leica X1 pictures leaked | Leica Rumors

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Panasonic LUMIX DMC-GF1 announced

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This seems like a very interesting camera indeed – a new micro four thirds camera with a more professional look than the recent Olympus Pen E-P1. It is slated for an early October release.

It will be exciting to see how low-light performance from this camera, with its larger sensor, will be compared to the new Canon G11. Anyway, these cameras look like they could soon evolve into modern, and more economical digital replacements of the Leica rangefinder.

There are few things I lust for more than a highly transportable, lightweight camera suitable for low-light photography – with a price tag that makes it justifiable compared to comparable DSLR’s (unlike the ridiculously priced Leica M8.2).

Fortunately, the Lumix DMC-GF1 is estimated to cost about $900 and come in two kit variations: one with the optically stabilized 14-45mm/F3.5-5.6 lens included with previous Panasonic Micro Four-Thirds cameras, and one with a brand-new 20mm f1.7 pancake lens that was also announced today.

I just hope Panasonic and Olympus soon understand that speed and low-light sensitivity has to be among their main design goals – ie. electronic viewfinders are useless, and good, optional optical finders should be offered as accessories – and that they must release some fast, compact, fixed wide-angle glass to go along with with these cameras.

A pro version of this new breed of micro four-thirds cameras just begs to be used for “fly-on-the-wall” kind of photojournalism in the Leica tradition.

A lightly edited excerpt from the press release (I am guilty of removing some over-hyped sales-speak):

“Panasonic has added a powerful new model DMC-GF1 to its LUMIX G Micro System lineup of new-generation digital interchangeable lens system cameras. Distinguished by an artistic flat body that is both elegant and compact, the new DMC-GF1 debuts as the world’s smallest and lightest system camera with a built-in flash*. The new GF1 takes its place as the third model in the revolutionary G series of digital interchangeable lens system cameras based on the Micro Four Thirds system standard.

The GF1 features the advanced AVCHD Lite movie, which is ideal for recording extended HD movies and networking with other AV devices, and it can also record in the Motion JPEG format, which offers wide compatibility with PCs.In addition to a host of beginner-friendly shooting assisting functions, such as LUMIX’s popular iA (Intelligent Auto) mode, the DMC-GF1 also comes with unique functions including exposure meter, aperture preview and shutter speed preview through the live view. A number of accessories, starting with the Live View Finder which provides full-time live view, makes photography more fun while expanding the user’s artistic capabilities.
The GF1 does away with the pentaprism found on other standard interchangeable lens cameras. This mirror-less structure helped Panasonic achieve a neo-classic body design that dramatically reduces both size and weight. Designed for maximum thinness, the GF1 reduced 35% in the volume and 26% in the weight of the DMC-G1, up until now the most compact G model.
While the GF1 is small in size, it does not compromise on functions. It comes equipped with a built-in flash. It boasts a large, 3.0-inch LCD with a wide-viewing angle and full 460,000-dot resolution. Users enjoy vivid, exceptionally detailed images both when shooting and when viewing the results. The GF1 is compatible with an optional Live View Finder (DMW-LVF1), which provides the full-time live view function boasting 100% field of view regardless of the lens attached.
Panasonic paid meticulous attention to operating ease when designing the GF1. The drive mode lever and rotary/click dial are considerately placed for operation with minimal finger movement. The precise button placement and simple, logical menu interface work together to make operation easy and intuitive.
The 4/3-type 12.1-megapixel Live MOS sensor featured in the DMC-GF1 offers the best of both worlds — the superior image quality of a CCD sensor, and the lower power consumption of a CMOS sensor. Advanced technology that makes it possible to read 4 channels of data simultaneously also helps the GF1 deliver 60 frames-per-second Full-time Live View images, while faithfully reproducing high-resolution images with fine detail and rich gradation.
For the image processing LSI, the new Venus Engine HD features exceptionally advanced signal processing capabilities. This sophisticated LSI separates chromatic noise from luminance noise and applies the optimal noise reduction to each, so you capture clear and beautiful images even when shooting at high ISO sensitivity levels. The Venus Engine HD also provides independent gradation control for each of the R, G and B colors, so even delicate color nuances are reproduced faithfully. Linking smoothly with the Live MOS sensor, the Venus Engine HD records stunning high-resolution 12.1-megapixel images with exceptional accuracy. Signals containing a large amount of image data are sent from the Live MOS sensor to the optional Live View Finder at 60 fps, resulting in clear, smooth live view. The Venus Engine HD also supports an extensive range of functions, including HDMI output.
Cameras of LUMIX G Micro System are equipped with a Dust Reduction System. If dust or other foreign matter gets inside the camera when you’re changing lenses, it could cling to the image sensor and show up as a spot in your photos. The Dust Reduction System in the GF1 helps eliminate this possibility by placing a supersonic wave filter in front of the Live MOS sensor. Vibrating vertically around 50,000 times per second, the filter repels dust and other particles effectively
The exposure meter can be displayed in the P/A/S/M shooting modes. The correlation between shutter speed and aperture is shown, with a color-coded warning that alerts users when the settings are not in the proper range. For newcomers to system camera photography, this makes it easy to learn proper settings both visually and logically, enhancing their photography skills.
The DMC-GF1 can record 1280 x 720 high-definition motion picture in AVCHD Lite that features long recording time and high compatibility with audio-visual equipments. The action starts at a single press of a dedicated button on the top while most of the settings for photo recording are succeeded, which is convenient when you record the same subject at the same situation in both photo and movie. HD Motion JPEG in 1280 x 720 can also be selected as an alternative movie recording format in addition to QVGA, VGA and WVGA, which is more compatible with PCs.
The contrast AF system adopted in the DMC-GF1 features not only the accuracy but also the industry’s fastest level of high-speed, (e.g. Approx. 0.3 sec with a LUMIX G standard zoom lens H-FS014045.) There are more reason to employ contrast AF for its focusing system to realize the full-time live view and a lot of advanced functions.
Users can choose from a wide range of AF modes, including multiple-area AF with up to 23 focus areas, 1-area AF with a selectable focus area, Face Detection, and AF Tracking. In the 1-area AF mode, the AF frame size can be changed by simply turning a dial. The GF1 also has a Quick AF function that begins focusing as soon as the user aims the camera — no waiting for him or her to press the shutter button halfway. This provides a quicker focusing that can help capture the subject before the crucial moment passes. Continuous AF keeps the subject in focus at all times. With the GF1’s many auto focus modes, there’s an option that’s just right for any shooting situation In addition to LUMIX G lenses, the LUMIX DMC-GF1 and LUMIX G Micro System can use any interchangeable lens that complies with the Four Thirds standard via an optional mount adaptor DMW-MA1 and with Leica M/R Lenses.
Notably, the hot shoe on the top lets you attach the optional tilt-shift Live View Finder (DMW-LVF1) of 1.04x (0.52x*), 202,000-dot, 100% field of view.

*For a system camera with a built-in flash as of September 2, 2009

*Lenses that are not compatible with the contrast AF function can be used with manual focusing.

*There are some limitations to other functions depending on the lens to attach.

Excerpts from DMC-GF1 | Press Release | LUMIX | Digital Camera | Panasonic Global

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